Director: Alejandro González Iñárritu

Writers: Alejandro González Iñárritu, Nicolás Giacobone, Alexander Dinelaris Jr. and Armando Bo

Cast: Michael Keaton, Edward Norton and Emma Stone

Stepping out of the theatre after watching Birdman, one thing kept going through my head: Where has Michael Keaton been hiding all these years? As one of the most beloved comic actors of the 80s with iconic films such as Beetlejuice and Mr. Mom, along with playing the original (and greatest) Dark Knight in Tim Burton’s Batman and Batman Returns, it’s so good to finally see him get the recognition and love he deserves.

That being said, the role of Riggan Thompson in Birdman was practically made for Keaton to play. In a strange moment where art-imitates-life, Riggan is a has-been movie star who is best known for playing the superhero “Birdman” in a blockbuster film franchise. In order to reclaim the fame and glory he once had, and to pave a new path of artistic integrity, he attempts to direct and star in a Raymond Carver adaptation on Broadway. In the days leading up to the plays’ opening night, Riggan faces crises in the form of confrontations with his fellow actors, his ex-wife, his daughter and his own inner demons as he starts to spiral into insanity.

1419248099895.cachedBest known for his critically acclaimed dramatic films like Babel, Amores Perros and Biutiful, Mexican director Alejandro González Iñárritu couldn’t have strayed further from his normal path if he tried. With Birdman, he has created a masterpiece that explores existentialism, fears and relationships, with a touch of bittersweet comedy that more than managers to keep you hooked on every second and every frame. With the accompaniment of an exhilarating drumming score that thumps, cracks and bangs alongside the already thrilling action on screen, Iñárritu fits a lot of substance into the film’s running time.

Shot in what appears to be a single take but in reality is actually a succession of multiple long takes edited together, we float from scene to scene through the theatre, along the back stage’s twisting corridors and into the bright lights of New York City. The movement is constant and there is never a dull – or still – moment in the whole film.

The characters in Birdman feel larger than life, almost as if they are stepping out of the frame, and at times may seem a little over-the-top. But due to the voyeuristic feel of the film, their hopes, fears and emotions are all very realistic and captivating, and the performances by the actors who portray them are all raw and passionate.

75Joining an already formidable Keaton is a cast of supporting actors who do more than pull their own weight in allowing Birdman to truly soar. Zach Galifianakis is uncharacteristically subdued as Riggan’s frequently fretting agent, Amy Ryan is lovely as Riggan’s composed ex-wife, and Naomi Watts and Andrea Riseborough are strong willed in their roles as Riggan’s co-stars. But it’s the performances of Emma Stone as Sam, Riggan’s fresh out of rehab daughter and PA, and Edward Norton as Mike, a hotshot and hot-headed theatre actor called upon to boost ticket sales, that are the true standouts.

The film’s extended title “The Unexpected Virtue of Ignorance” is finally realised with a cruel twist of irony towards the film’s end. The title could be a notion towards the conceited way that Riggan attempts to find artistic integrity within the play, or perhaps – in the more broad sense – it could express the way risk taking can pay off in the most unexpected ways. Perhaps much like the huge risks Iñárritu took in making Birdman the spectacular masterpiece that it is.

But the film has a lot more to say than just commenting on the vanity of actors and the struggle for artistic integrity. Throughout the film, subjects like frayed father-daughter relationships, finding one’s purpose in the world, and the fear of not being remembered are all delicately touched upon in very moving ways. In its most shameless moments, Birdman chooses to throw a well-aimed punch at the modern consumer and popular trends, with social media platforms and Marvel superhero movies both at the receiving ends of the heavy blow.

birdman-michael-keaton-emma-stone1There is certainly something to be explored in the “bird” motif that runs throughout the film. Not only with the literal “birdman” that haunts Riggan’s subconscious, but also with the notion that what Riggan really needs is something to set him free. But what is that exactly? Is it the play? Repairing his relationships with his daughter and ex-wife? Gaining artistic integrity? Finding relevance? Or is it simply letting go of his fears? With the film’s open ending, it’s completely up to the audience’s individual interpretation to decide.

Birdman literally and metaphorically levitates above any other film of recent time. With strong performances, humanistic characters, ingenious storytelling and revolutionary camera work, it feels all together too perfect, too breathtaking to be true. It succeeds in doing the impossible by being both extremely hilarious and heartbreaking at the same time. By taking huge risks, Iñárritu has created an extraordinary film that is truly like no other.

  RATING: 5/5

This review was published on Lip Mag


One response to “FILM REVIEW: BIRDMAN

  1. Pingback: 2015 IN FILM | Jade Bate·

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